Virtual Backgrounds from the Library Collections

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A black and white photograph from the Healy lawn looking North circa 1950. White-Gravenor Hall is in the background with the statue of John Carroll behind two men in conversation, one seated on a bench and the other standing with a tennis racquet.

White-Gravenor with the John Carroll Statue in the foreground in 1950s
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A black and white photograph from what is now Copley lawn looking south circa 1900, with Healy Hall and Old North in the background. Players in uniform are playing a baseball game, with a player at bat but no one on base.

Baseball game on the College Field around 1900
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Detail from a micromosaic of Saint Peter's Basilica and the Vatican, by Biagio Barzotti circa 1880. Crowds of people are depecited in Saint Peter's Square, along with several horse drawn carriages.

Saint Peter's Basilica and the Vatican by Biagio Barzotti ca. 1880, micromosaic. Gift of James V. Coleman (AB 1869) in memory of his wife Carmelita Nuttall Coleman.
1889.1.1
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Detail from an oil painting of Georgetown College from Trinity Steeple looking west, by James Alexander Simpson, 1831. Only two buildings are pictured, Old North and Old South, along with a handball court. A line of trees and a fence separate the buildings from what is now Healy Lawn, where several cattle are grazing.

Georgetown College from Trinity Steeple by James Alexander Simpson, 1831
1111.1.821
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Detail from a black and white photograph of Riggs Library looking towards the main entrance, circa 1910. The two stories of the steel stacks are visible in the background, full of books, while in the foreground a stand for large atlases and dictionaries stands across from an ornate table with four similarly ornate wooden chairs.

Riggs Library in Georgetown University’s Healy Hall, 1910
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Detail from a black and white photograph of Copley Formal Lounge, in 1944. About twenty members of the Allied Services Training Program, in military uniform stand or sit in upholstered chairs and converse with each other while sunlight streams in from a south-facing window.

Copley Formal Lounge with members of the Allied Services Training Program, 1944
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Detail from a mezzotint with etching entitled The Creation, by John Martin from 1838. Waters and clouds swirl above an ocean, with planet and stars above, and a shaft of light piercing the clouds.

The Creation, John Martin, mezzotint with etching, ca. 1838, Gift of John Rackham, 1111.1.2209.1
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Detail of an etching, View of Amsterdam from the Northwest, by Rembrandt, circa 1640. This rough sketch of the city's waterfont shows a windmill and several steeples, as several people walk along the riverbank.

View of Amsterdam from the Northwest, Rembrandt, etching, ca. 1640, Gift of Eric F. Menke, 1979.6.71
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Detail of a woodblock print by Yoshijiro Urushibara entitled The Resting Place (Scutari) from 1924, showing people wrapped in colorful shawls visiting a cemetery in the shade of tall trees along the shore of the Bosphorus.

The Resting Place - Scutari, Yoshijiro Urushibara, woodcut, 1924, 1990.27.1
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Detail from an etching entitled Carcere (Prison) by Giovanni Battista Piranesi, circa 1835, showing a cavernous shadowy room, looking upward at numerous stone archways, support beams, and large chandeliers, along with several doorways blocked off with prison bars. Human figures, sketched with minimal detail, toil on stairways and on top of archways, lifting baskets with pulleys.

Carcere [Prison] from Le Antichita Romane, Giovanni Battista Piranesi, etching with engraving, 1835-1839, Gift of William Doniger in memory of Katherine Dimock Doniger, DG63 .P56 1835
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Detail from an oil painting by John Morrell from 1993, of the C & O Canal and towpath in Georgetown as it passes under an arch of the Key Bridge. A sunny day is depicted, as trees lush with leaves cast the towpath in shade and the sky is reflected off the water of the canal.

Canal and Towpath in Georgetown, 1993 oil on canvas by John Morrell, Georgetown University Professor of Painting and Drawing, Gift of the artist
1111.208.1
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Detail from a photograph of Carrol Parlor, an art gallery formerly housed in Healy Hall, taken in 2011. The view looks towards the southeast corner of the room, where a large oil painting of Elizabeth Dhalgren hangs on the wall, and several statutes of marble and bronze rest on pedestals and the window sill. The artwork is interspersed with ornatedly carved wooden furniture, a round table and chest as well as several chairs with intricate needlework decorating the upholstery.

Corner view of Carroll Parlor in Healy Hall, 2011. Portrait of Elizabeth Drexel Dahlgren by Adolfo Müller-Ury (1894) at right. Photo by Steve Fernie.
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